Russell Baker
My Lack of Gumption
Russell Baker (b. 1925) has been a
journalist throughout his professional career. After graduating from Johns
Hopkins University, he worked as a reporter and in 1954 served as a correspondent
for the New York Times in
Washington, D.C., where he was variously assigned to the White House, the State
Department, national politics, and the activities of Congress. He subsequently
became a columnist for the New York
Times and won a Pulitzer Prize in 1979. He won a second Pulitzer Prize in
1983 for his autobiography, entitled Growing
Up. Although Baker writes about his boyhood with a light touch and an
irreverent humor, there is an overtone of pathos and seriousness in his
description of the people and forces that lead to a young boy's development of
a sense of self.
I began working in journalism when I was
eight years old. It was my mother's idea. She wanted me to "make
something" of myself and, after a level-headed appraisal of my strengths,
decided I had better start young if I was to have any chance of keeping up with
the competition.
The flaw in my character which she had
already spotted was lack of "gumption." My idea of a perfect
afternoon was lying in front of the radio rereading my favorite Big Little
Book, Dick Tracy Meets Stooge Viller. My
mother despised inactivity. Seeing me having a good time in repose, she was
powerless to hide her disgust. "You've got no more gumption than a bump on
a log," she said. "Get out in the kitchen and help Doris do those
dirty dishes."
My sister Doris, though two years younger
than I, had enough gumption for a dozen people. She positively enjoyed washing
dishes, making beds, and cleaning the house. When she was only seven she could
carry a piece of short-weighted cheese back to the A&P, threaten the
manager with legal action, and come back triumphantly with the full
quarter-pound we'd paid for and a few ounces extra thrown in for forgiveness.
Doris could have made something of herself if she hadn't been a girl. Because
of this defect, however, the best she could hope for was a career as a nurse or
schoolteacher, the only work that capable females were considered up to in
those days.
This must have saddened my mother, this
twist of fate that had allocated all the gumption to the daughter and left her
with a son who was content with Dick Tracy and Stooge Viller. If disappointed,
though, she wasted no energy on self-pity. She would make me make something of
myself whether I wanted to or not. "The Lord helps those who help
themselves," she said. That was the way her mind worked.
She was realistic about the difficulty.
Having sized up the material the Lord had given her to mold, she didn't
overestimate what she could do with it. She didn't insist that I grow up to be
President of the United States.
Fifty years ago parents still asked boys
if they wanted to grow up to be President, and asked it not jokingly but
seriously. Many parents who were hardly more than paupers still believed their
sons could do it. Abraham Lincoln had done it. We were only sixty-five years
from Lincoln. Many a grandfather who walked among us could remember Lincoln's
time. Men of grandfatherly age were the worst for asking if you wanted to grow
up to be President. A surprising number of little boys said yes and meant it.
I was asked many times myself. No, I would
say, I didn't want to grow up to be President. My mother was present during one
of these interrogations. An elderly uncle, having posed the usual question and
exposed my lack of interest in the Presidency, asked, "Well, what do you want to be when you grow
up?"
I loved to pick through trash piles and
collect empty bottles, tin cans with pretty labels, and discarded magazines.
The most desirable job on earth sprang instantly to my mind. "I want to be
a garbage man," I said.
My uncle smiled, but my mother had seen
the first distressing evidence of a bump budding on a log. "Have a little
gumption, Russell," she said. Her calling me Russell was a signal of
unhappiness. When she approved of me I was always "Buddy."
When I turned eight years old she decided
that the job of starting me on the road toward making something of myself could
no longer be safely delayed. "Buddy," she said one day, "I want
you to come home right after school this afternoon. Somebody's coming and I
want you to meet him."
When I burst in that afternoon she was in
conference in the parlor with an executive of the Curtis Publishing Company.
She introduced me. He bent low from the waist and shook my hand. Was it true as
my mother had told him, he asked, that I longed for the opportunity to conquer
the world of business?
My mother replied that I was blessed with
a rare determination to make something of myself.
"That's right," I whispered.
"But have you got the grit, the
character, the never-say-quit spirit it takes to succeed in business?"
My mother said I certainly did.
"That's right," I said.
He eyed me silently for a long pause, as
though weighing whether I could be trusted to his confidence, then spoke
man-to-man. Before taking a crucial step, he said, he wanted to advise me that
working for the Curtis Publishing Company placed enormous responsibility on a
young man. It was one of the great companies of America. Perhaps the greatest
publishing house in the world. I had heard, no doubt, of the Saturday Evening Post?
Heard of it? My mother said that everyone
in our house had heard of the Saturday
Post and that I, in fact, read it with religious devotion.
Then doubtless, he said, we were also
familiar with those two monthly pillars of the magazine world, the Ladies Home Journal and the Country Gentlemen.
Indeed we were familiar with them, said my
mother.
Representing the Saturday Evening Post was one of the weightiest honors that could
be bestowed in the world of business, he said. He was personally proud of
being a part of that great corporation.
My mother said he had every right to be.
Again he studied me as though debating
whether I was worthy of a knighthood. Finally: "Are you trustworthy?"
My mother said I was the soul of honesty.
"That's right," I said.
The caller smiled for the first time. He
told me I was a lucky young man. He admired my spunk. Too many young men
thought life was all play. Those young men would not go far in this world. Only
a young man willing to work and save and keep his face washed and his hair
neatly combed could hope to come out on top in a world such as ours. Did I
truly and sincerely believe that I was such a young man?
"He certainly does," said my
mother.
"That's right," I said.
He said he had been so impressed by what
he had seen of me that he was going to make me a representative of the Curtis
Publishing Company. On the following Tuesday, he said, thirty freshly printed
copies of the Saturday Evening Post
would be delivered at our door. I would place these magazines, still damp with
the ink of the presses, in a handsome canvas bag, sling it over my shoulder,
and set forth through the streets to bring the best in journalism, fiction, and
cartoons to the American public.
He had brought the canvas bag with him. He
presented it with reverence fit for a chasuble. He showed me how to drape the
sling over my left shoulder and across the chest so that the pouch lay easily
accessible to my right hand, allowing the best in journalism, fiction, and
cartoons to be swiftly extracted and sold to a citizenry whose happiness and
security depended upon us soldiers of the free press.
The following Tuesday I raced home from
school, put the canvas bag over my shoulder, dumped the magazines in, and,
tilting to the left to balance their weight on my right hip, embarked on the
highway of journalism.
We lived in Belleville, New Jersey, a
commuter town at the northern fringe of Newark. It was 1932, the bleakest year
of the Depression. My father had died two years before, leaving us with a few
pieces of Sears, Roebuck furniture and not much else, and my mother had taken
Doris and me to live with one of her younger brothers. This was my Uncle Allen.
Uncle Allen had made something of himself by 1932. As salesman for a soft-drink
bottler in Newark, he had an income of $30 a week; wore pearl-gray spats,
detachable collars, and a three-piece suit; was happily married; and took in
threadbare relatives.
With my load of magazines I headed toward
Belleville Avenue. That's where the people were. There were two filling
stations at the intersection with Union Avenue, as well as an A&P, a fruit
stand, a bakery, a barber shop, Zuccarelli's drugstore, and a diner shaped like
a railroad car. For several hours I made myself highly visible, shifting
position now and then from corner to corner, from shop window to shop window,
to make sure everyone could see the heavy black lettering on the canvas bag
that said the Saturday Evening Post.
When the angle of the light indicated it was suppertime, I walked back to the
house.
"How many did you sell, Buddy?"
my mother asked.
"None."
"Where did you go?"
"The corner of Belleville and Union
Avenues."
"What did you do?"
"Stood on the corner waiting for
somebody to buy a Saturday Evening Post."
"You just stood there?"
"Didn't sell a single one."
"For God's sake, Russell!"
Uncle Allen intervened. "I've been
thinking about it for some time," he said, "and I've about decided to
take the Post regularly. Put me down
as a regular customer." I handed him a magazine and he paid me a nickel.
It was the first nickel I earned.
Afterwards my mother instructed me in
salesmanship. I would have to ring doorbells, address adults with charming
self-confidence, and break down resistance with a sales talk pointing out that
no one, no matter how poor, could afford to be without the Saturday Evening Post in the home.
I told my mother I'd changed my mind about
wanting to succeed in the magazine business.
"If you think I'm going to raise a
good-for-nothing," she replied, "you've got another think
coming." She told me to hit the streets with the canvas bag and start
ringing doorbells the instant school was out next day. When I objected that I
didn't feel any aptitude for salesmanship, she asked how I'd like to lend her
my leather belt so she could whack some sense into me. I bowed to superior will
and entered journalism with a heavy heart.
My mother and I had fought this battle
almost as long as I could remember. It probably started even before memory
began, when I was a country child in northern Virginia and my mother,
dissatisfied with my father's plain workman's life, determined that I would not
grow up like him and his people, with calluses on their hands, overalls on
their backs, and fourth-grade educations in their heads. She had fancier ideas
of life's possibilities. Introducing me to the Saturday Evening Post, she was trying to wean me as early as
possible from my father's world where men left with their lunch pails at sunup,
worked with their hands until the grime ate into the pores, and died with a few
sticks of mail-order furniture as their legacy. In my mother's vision of the
better life there were desks and white collars, well-pressed suits, evenings of
reading and lively talk, and perhaps—if a man were very, very lucky and hit the
jackpot, really made something important of himself—perhaps there might be a
fantastic salary of $5,000 a year to support a big house and a Buick with a
rumble seat and a vacation in Atlantic City.
And so I set forth with my sack of
magazines. I was afraid of the dogs that snarled behind the doors of potential
buyers. I was timid about ringing the doorbells of strangers, relieved when no
one came to the door, and scared when someone did. Despite my mother's
instructions, I could not deliver an engaging sales pitch. When a door opened I
simply asked, "Want to buy a Saturday
Evening Post?" In Belleville few persons did. It was a town of 30,000
people, and most weeks I rang a fair majority of its doorbells. But I rarely
sold my thirty copies. Some weeks I canvassed the entire town for six days and
still had four or five unsold magazines on Monday evening; then I dreaded the
coming of Tuesday morning, when a batch of thirty fresh Saturday Evening Posts was due at the front door.
"Better get out there and sell the
rest of those magazines tonight," my mother would say.
I usually posted myself then at a busy
intersection where a traffic light controlled commuter flow from Newark. When
the light turned red I stood on the curb and shouted my sales pitch at the
motorists.
"Want to buy a Saturday Evening Post?"
One rainy night when car windows were
sealed against me I came back soaked and with not a single sale to report. My
mother beckoned to Doris.
"Go back down there with Buddy and
show him how to sell those magazines," she said.
Brimming with zest, Doris, who was then
seven years old, returned with me to the corner. She took a magazine from the
bag, and when the light turned red she strode to the nearest car and banged her
small fist against the closed window. The driver, probably startled at what he
took to be a midget assaulting his car, lowered the window to stare and Doris
thrust a Saturday Evening Post at
him.
"You need this magazine," she
piped, "and it only costs a nickel."
Her salesmanship was irresistible. Before
the light changed half a dozen times she disposed of the entire batch. I didn't
feel humiliated. To the contrary. I was so happy I decided to give her a treat.
Leading her to the vegetable store on Belleville Avenue, I bought three apples,
which cost a nickel, and gave her one.
"You shouldn't waste money," she
said.
"Eat your apple." I bit into
mine.
"You shouldn't eat before
supper," she said. "It'll spoil your appetite."
Back at the house that evening, she dutifully
reported me for wasting a nickel. Instead of a scolding, I was rewarded with a
pat on the back for having the good sense to buy fruit instead of candy. My
mother reached into her bottomless supply of maxims and told Doris, "An
apple a day keeps the doctor away."
By the time I was ten I had learned all my
mother's maxims by heart. Asking to stay up past normal bedtime, I knew that a
refusal would be explained with, "Early to bed and early to rise, makes a
man healthy, wealthy, and wise." If I whimpered about having to get up
early in the morning, I could depend on her to say, "The early bird gets
the worm."
The one I most despised was, "If at
first you don't succeed, try, try again." This was the battle cry with
which she constantly sent me back into the hopeless struggle whenever I moaned
that I had rung every doorbell in town and knew there wasn't a single potential
buyer left in Belleville that week. After listening to my explanation, she
handed me the canvas bag and said, "If at first you don't succeed . .
."
Three years in that job, which I would
gladly have quit after the first day except for her insistence, produced at
least one valuable result. My mother finally concluded that I would never make
something of myself by pursuing a life in business and started considering
careers that demanded less competitive zeal.
One evening when I was eleven I brought
home a short "composition" on my summer vacation which the teacher
had graded with an A. Reading it with her own schoolteacher's eye, my mother agreed
that it was top-drawer seventh-grade prose and complimented me. Nothing more
was said about it immediately, but a new idea had taken life in her mind.
Halfway through supper she suddenly interrupted the conversation.
"Buddy," she said, "maybe
you could be a writer."
I clasped the idea to my heart. I had
never met a writer, had shown no previous urge to write, and hadn't a notion
how to become a writer, but I loved stories and thought that making up stories
must surely be almost as much fun as reading them. Best of all, though, and
what really gladdened my heart, was the ease of the writer's life. Writers did
not have to trudge through the town peddling from canvas bags, defending
themselves against angry dogs, being rejected by surly strangers. Writers did
not have to ring doorbells. So far as I could make out, what writers did
couldn't even be classified as work.
I was enchanted. Writers didn't have to
have any gumption at all. I did not dare tell anybody for fear of being laughed
at in the schoolyard, but secretly I decided that what I'd like to be when I
grew up was a writer.
Suggestions for Discussion
1. Relate
the title to the author's sense of himself as a person.
2. What
general conclusion for yourself can you draw from this short piece of writing?
Suggestions
for Writing
1. Describe
your childhood and/or adolescent views of what you might like to do when you
were "grown up." You might present the changes that may have occurred
in the form of a diary, a monologue, a dialogue, or a narrative in which you
reminisce about your early years as Baker does.
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