неделя, 30 септември 2012 г.

Essays


John Gregory Dunne

Quintana


John Gregory Dunne (b. 1932) was educated at Princeton University. He has written a number of film scripts with his wife, Joan Didion: The Panic in Needle Park (1971), Play It As It Lays (1972), and True Confessions (1982). His publications include Delano: The Story of the California Grape Strike (1967), The Studio (1969), and Vegas: A Memoir of a Dark Season (1974). In this excerpt from Quintana and Friends (1978) Dunne acknowledges that if it is important for Quintana to know her parentage, she is free to make the decision and her adoptive parents will respect it.


Quintana will be eleven this week. She approaches adolescence with what I can only describe as panache, but then watching her journey from infancy has always been like watching Sandy Koufax pitch or Bill Russell play basketball. There is the same casual arrogance, the implicit sense that no one has ever done it any better. And yet it is difficult for a father to watch a daughter grow up. With each birthday she becomes more like us, an adult, and what we cling to is the memory of the child. I remember the first time I saw her in the nursery at Saint John’s Hospital. It was after visiting hours and my wife and I stood staring through the soundproof glass partition at the infants in their cribs, wondering which was ours. Then a nurse in a surgical mask appeared from a back room carrying a fierce, black-haired baby with a bow in her hair. She was just seventeen hours old and her face was still wrinkled and red and the identification beads on her wrist had not our name but only the letters “NI.” “NI” stood for “No Information,” the hospital’s code for an infant to be placed for adoption. Quintana is adopted.
It has never been an effort to say those three words, even when they occasion the well-meaning but insensitive compliment, “You couldn’t love her more if she were your own.” At moments like that, my wife and I say nothing and smile through gritted teeth. And yet we are not unaware that sometime in the not too distant future we face a moment that only those of us who are adoptive parents will ever have to face--our daughter’s decision to search or not to search for her natural parents.
I remember that when I was growing up a staple of radio drama was the show built around adoption. Usually the dilemma involved a child who had just learned by accident that it was adopted. This information could only come accidentally, because in those days it was considered a radical departure from the norm to inform your son or daughter that he or she was not your own flesh and blood. If such information had to be revealed, it was often followed by the specious addendum that the natural parents had died when the child was an infant. An automobile accident was viewed as the most expeditious and efficient way to get rid of both parents at once. One of my contemporaries, then a young actress, was not told that she was adopted until she was twenty-two and the beneficiary of a small inheritance from her natural father’s will. Her adoptive mother could not bring herself to tell her daughter the reason behind the bequest and entrusted the task to an agent from the William Morris office.
Today we are more enlightened, aware of the psychological evidence that such barbaric secrecy can only inflict hurt. When Quintana was born, she was offered to us privately by the gynecologist who delivered her. In California, such private adoptions are not only legal but in the mid-sixties, before legalized adoption and before the sexual revolution made it acceptable for an unwed mother to keep her child, were quite common. The night we went to see Quintana for the first time at Saint John’s, there was a tacit agreement between us that “No Information” was only a bracelet. It was quite easy to congratulate ourselves for agreeing to be so open when the only information we had about her mother was her age, where she was from and a certified record of her good health. What we did not realize was that through one bureaucratic slipup we would learn her mother’s name and that through another she would learn ours, and Quintana’s.
From the day we brought Quintana home from the hospital, we tried never to equivocate. When she was little, we always had the Spanish-speaking help and one of the first words she learned, long before she understood its import, was adoptada. As she grew older, she never tired of asking us how we happened to adopt her. We told her that we went to the hospital and were given our choice of any baby in the nursery. “No, not that baby,” we had said, “not that baby, not that baby. . . .” All this with full gestures of inspection, until finally: “That baby!” Her face would always light up and she would say: “Quintana.” When she asked a question about her adoption, we answered, never volunteering more than she requested, convinced that as she grew her questions would become more searching and complicated. In terms I hoped she would understand, I tried to explain that adoption offered to a parent the possibility of escaping the prison of genes, that no matter how perfect the natural child, the parent could not help acknowledging in black moments that some of his or her bad blood was bubbling around in the offspring; with an adoptada, we were innocent of any knowledge of bad blood.
In time Quintana began to intuit that our simple parable of free choice in the hospital nursery was somewhat more complex than we had indicated. She now knew that being adopted meant being born of another mother, and that person she began referring to as “my other mommy.” How old, she asked, was my other mommy when I was born? Eighteen, we answered, and on her stubby little fingers she added on her own age, and with each birthday her other mommy became twenty-three, then twenty-five and twenty-eight. There was no obsessive interest, just occasional queries, some more difficult to answer than others. Why had her other mother given her up? We said that we did not know--which was true--and could only assume that it was because she was little more than a child herself, alone and without the resources to bring up a baby. The answer seemed to satisfy, at least until we became close friends with a young woman, unmarried, with a small child of her own. The contradiction was, of course, apparent to Quintana, and yet she seemed to understand, in the way that children do, that there had been a millenium’s worth of social change in the years since her birth, that the pressures on a young unmarried mother were far more in 1966 than they were in 1973. (She did, after all, invariably refer to the man in the White House as President Nixon Vietnam Watergate,  almost as if he had a three-tiered name like John Quincy Adams.) We were sure that she viewed her status with equanimity, but how much so we did not realize until her eighth birthday party. There were twenty little girls at the party, and as little girls do, they were discussing things gynecological, specifically how they had emerged at birth. “I didn’t,” Quintana said matter-of-factly. She was sitting in a large wicker fan chair and her pronouncement impelled the other children to silence. “I was adopted.” We had often wondered how she would handle this moment with her peers, and we froze, but she pulled it off with such élan and aplomb that in moments the other children were bemoaning their own misfortune in not being adopted, one even claiming, "Well, I was almost adopted.”
Because my wife and I both work at home, Quintana has never had any confusion about how we make our living. Our mindless staring at our respective typewriters means food on the table in a way the mysterious phrase “going to the office” never can. From the time she could walk, we have taken her to meetings whenever we were without help, and she has been a quick study on the nuances of our life. “She’s remarkably well adjusted,” my brother once said about her. “Considering that every time I see her she’s in a different city.” I think she could pick an agent out of a police lineup, and out of the blue one night at dinner she offered that all young movie directors were short and had frizzy hair and wore Ditto pants and wire glasses and shirts with three buttons opened. (As far as I know, she had never laid eyes on Bogdanovich, Spielberg or Scorsese.) Not long ago an actress received an award for a picture we had written for her. The actress’s acceptance speech at the televised award ceremony drove Quintana into an absolute fury. “She never,” Quintana reported, “thanked us.” Since she not only identifies with our work but at times even considers herself an equal partner, I of course discussed this piece with her before I began working on it. I told her what it was about and said I would drop it if she would be embarrassed or is she thought that subject was too private. She gave it some thought and finally said she wanted me to write it.
I must, however, try to explain and perhaps even try to justify my own motives. The week after Roots was televised, each child in Quintana’s fifth-grade class was asked to trace a family tree. On my side Quintana went back to her great-grandfather Burns, who arrived from Ireland shortly after the Civil War,  a ten-year-old refugee from the potato famine, and on her mother’s side to her great-great-great-great-grandmother Cornwall, who came west in a wagon train in 1846. As it happens, I have little interest in family beyond my immediate living relatives. (I can never remember the given names of my parental grandparents and have never known my parental grandmother’s name. This lack of interest mystifies my wife.) Yet I wanted Quintana to understand that if she wished, there were blood choices other than Dominick Burns and Nancy Hardin Cornwall. Over the past few years, there has been a growing body of literature about adoptees seeking their own roots. I am in general sympathetic to this quest, although not always to the dogged absolutism of the more militant seekers. But I would be remiss if I did not say that I am more than a little sensitive to the way the literature presents adoptive parents. We are usually shown as frozen in the postures of radio drama, untouched by the changes in attitudes of the last several generations. In point of fact we accept that our children might seek out their roots, even encourage it; we accept it as an adventure like life itself--perhaps painful, one hopes enriching. I know not one adoptive parent who does not feel this way. Yet in the literature there is the implicit assumption that we are threatened by the possibility of search, that we would consider it an act of disloyalty on the part of our children. The patronizing nature of this assumption is never noted in the literature. It is as if we were Hudson and Mrs. Bridges, below-stairs surrogates taking care of the wee one, and I don’t like it one damn bit.
Often these days I find myself thinking of Quintana’s natural mother. Both my wife and I admit more than a passing interest in the woman who produced this extraordinary child. (As far as we know, she never named her father, and even more interesting, Quintana has never asked about him.) When Quintana was small, and before the legalities of adoption were complete, we imagined her mother everywhere, a wraith-like presence staring through the chain-link fence at the blond infant sunbathing in the crib. Occasionally today we see a photograph of a young woman in a magazine--the mother as we imagine her to look--and we pass it to each other without comment. Once we even checked the name of a model in Vogue through her modeling agency; she turned out to be a Finn. I often wonder if she thinks of Quintana, or of us. (Remember, we know each other’s names.) There is the possibility that having endured the twin traumas of birth and the giving up of a child, she blocked out the names the caseworker gave her, but I don’t really believe it. I consider it more likely that she has followed the fairly well-documented passage of Quintana through childhood into adolescence. Writers are at least semi-public figures, and in the interest of commerce or selling a book or a movie, or even out of simple vanity, we allow interviews and photo layouts and look into television cameras; we even write about ourselves, and our children. I recall wondering how this sentient young woman of our imagination had reacted to four pages in People. It is possible, even likely, that she will read this piece. I know that it is an almost intolerable invasion of her privacy. I think it probable, however, that in the dark reaches of night she has considered the possibility of a further incursion, of opening a door one day and seeing a young woman who says, “Hello, Mother, I am your daughter.”
Perhaps this is romantic fantasy. We know none of the circumstances of the woman’s life, or even if she is still alive. We once suggested to our lawyer that we make a discreet inquiry and he quite firmly said that this was a quest that belonged only to Quintana, if she wished to make it, and not to us. What is not fantasy is that for the past year, Quintana has known the name of her natural mother. It was a dinner and she said that she would like to meet her one day, but that it would be hard, not knowing her name. There finally was the moment: we had never equivocated; did we begin now? We took a deep breath and told Quintana, then age ten, her mother’s name. We also said that if she decided to search her out, we would help her in any way we could. (I must allow, however, that we would prefer she wait to make this decision until the Sturm and Drang of adolescence is past.) We then considered the possibility that her mother, for whatever good or circumstantial reasons of her own, might prefer not to see her. I am personally troubled by the militant contention that the natural mother has no right of choice in this matter. “I did not ask to be born,” an adoptee once was quoted in a news story I read. “She has to see me.” If only life were so simple, if only pain did not hurt. Yet we would never try to influence Quintana on this point. How important it is to know her parentage is a question only she can answer; it is her decision to make.
All parent realize, or should realize, that children are not possessions, but are only lent to us, angel boarders, as it were. Adoptive parents realize this earlier and perhaps more poignantly than others. I do not know the end of this story. It is possible that Quintana will find more reality in family commitment and cousins across the continent and heirloom orange spoons and pictures in an album and faded letters from Dominick Burns and diary entries from Nancy Hardin Cornwall than in the uncertainties of blood. It is equally possible that she will venture into the unknown. I once asked her what she would do if she met her natural mother. “I’d put one arm around Mom,” she said, “and one arm around my other mommy, and I’d say, ‘Hello, Mommies.’ “
If that’s the way it turns out, that is what she will do.


Suggestions for Discussion

1. Justify the use of the word panache in the description of Quintana.

2. How have attitudes toward adoption changed?

3. How did Quintana’s parents learn that she viewed her adoption with equanimity?

4. How does the author feel about the possibility of Quintana’s meeting her natural mother?

5. What does the reader learn about the character of Quintana’s adoptive father?


Suggestions for Writing

1. Characterize a parent or parents who regard children as possessions.

2. Defend the point of view that adopted children should be aided in seeking their natural parents.

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